1. Nikolaos Varvatakos: “Idaean-fingerprints” in Cyprus. A proposed etymology

of the ancient Cypriot place name Idalion.......................................................................... 3

2. Giuseppe Bombino: It was in Aspromonte (southern Calabria, Italy)

that the term “bridle = briglia” (“check dam” or “weir” designed to control streams)

was first attested in the field of hydraulics engineering: here is what an ancient

document has revealed........................................................................................................ 25

3. Γεωργία Κ. Κατσαγάνη: Φίλιππος Περγαμόθεν: Επιγραφική μαρτυρία

(IG IV2 I 687) για έναν άγνωστο ιστορικό του 1ου αι. π.Χ.......................................... 33

4. Lee Fratantuono: Pindar’s Achilles and Virgil’s Camilla:

The Influence of Nemean 3 on Aeneid 11..........................................................................49

5. Stella Alekou – Despina Keramida: Travelling Imagines in Ovid’s Heroides.............63

6. Charilaos G. Kamperis: Novelistic love between parody and ideal:

aspects of sexuality and gender in Petronius and Achilles Tatius................................. 81

7. Emanuele Piazza: Gens infidelis, nefanda gens:

A Look at the Saracens between Langobardia Minor and Sicily................................... 97

8. Diego D’Oria: Una curiosa controversia diplomatica tra la Grecia e il Regno

delle Due Sicilie circa il diritto di pesca dei “marinai napoletani” nei mari

interni dell’Ellade................................................................................................................111

9. Yanna Dimitriou – Eleni Socratous – Manolis Drakakis: The Criminal Court

Archives (1815-1864) in the General State Archives of Corfu: An introduction........ 123

10.Σοφία Κουτέρη: Το παραδοσιακό τραγούδι στις αριστοφανικές μεταφράσεις...147

11.Zafiris Nikitas: The Mother Figure in Chekhov’s Dramaturgy....................................183

12.Ζαφείρης Νικήτας: Όψεις του σύγχρονου γερμανόφωνου θεάτρου.

Από την Ελφρίντε Γέλινεκ στη Μαριάννα Σάλτσμαν.............................................. 203

13.Guidelines for authors........................................................................................................217